Archive for the ‘Stream’ Category

DON’T MEAN TO BRAGG, BUT IN OUR TIME IS LIVE!

Thursday, March 4th, 2010
in_our_time_screen

We’re pleased to announce the launch of the all-new,  all-improved BBC Radio 4 In Our Time website.

For the uninitiated (oh please… really?) In Our Time is a longstanding weekly programme on Radio 4, hosted by Melvyn Bragg. Billed as a discussion of the ‘History of ideas’, it is unashamedly high-brow (Logical Positivism anyone?), but nevertheless is among the BBC’s most popular podcasts.

We were charged both with redesigning the site in line with their new branding, and also making their extensive and heavily-used archive much more easily accessible.

The result is the first archive of this nature to be made available to the general public and has already proved its worth,  showing a large jump in the number of users engaging with this fantastic content.

No longer must Godel’s Incompleteness Theorems remain a mystery…

Ask-Poly goes live

Thursday, February 25th, 2010

poly2

Our latest offering from r&d is poly, made of polythene, get it, sorry ;-)

Anyway it’s pretty simple we wanted to do a bit of physical data visualisation and this was the prototype we made.   Poly will display votes on submitted questions in real time.  A result being achieved when reaching 20 votes. You can submit your own question for the masses to answer for fun or even a bit of research.   Poly will tweet you when your question comes to the front of the queue and if you follow her she’ll keep you informed of the results of  past polls

Have a look www.ask-poly.com

London Fashion Week Goes Digital

Tuesday, February 23rd, 2010

London is known for its innovation and willingness to try things new when it comes to fashion, and this season’s Fashion Week in the city has been no exception. Digit has been very excited to see an explosion in the use of digital and physical interactive media forms.

In a poignant example of his forward-thinking and innovative spirit, the late Alexander McQueen was already using digital media to stream his show live from Paris last year, using giant robotic cameras in collaboration with Nick Knight’s Showstudio. This year, Burberry raised the bar with their decision to broadcast their show live in 3D at various locations around the world, allowing people, with the aid of those 3D glasses, to experience the show as if they are sat front row. Thumbs up for this innovative use of technology Burberry but do you really think the fashionistas are going to be happy about donning those unstylish 3-D specs?

anna

The British Fashion Council have taken the commendable step to launch a ‘Digital Schedule’ this year, generously broadcasting all of their main on-schedule shows online. This means that it’s no longer just the fashion elite who have access to that front row feeling.

For those who lucky enough to get a real-life seat at the shows, the use of micro-blogging using sites such as Twitter has accelerated this session with second by second thoughts and twit-pics from journalists appearing as soon as the models step out onto the catwalk. Famous fashion-bloggers have been invited to sit alongside high-profile journalists, creating instant publicity about shows through their tweets. London Fashion Week are also promoting fashion tweets and pictures by providing a live stream of all relevant tweets alongside their live video-feeds.

Elsewhere, designer Cassette Playa incorporated rune-like symbols into the prints of her fabrics. Combined with streaming video, a giant screen and a bit of technical wizardry, she created the worlds very first Augmented Reality (AR) fashion show. As the models stood in front of the screen, animated 3D virtual garments and accessories were augmented onto their bodies, bringing them to life.

f_cassette

There is also talk of a Cassette Playa augmented-reality iPhone app later in the year, allowing phone users to create their own virtual-meets-physical experience of the collection. Henry Holland also tapped into the younger, more tech-savvy market, creating a Blackberry which allowed fans to instantly purchase limited-edition tshirts from his show direct from the side of the catwalk, ahead of the usual six months it takes them to hit the shops.

In terms of physical-interaction installations, On|Off arguably stole the show with their offerings. A huge video dance-wall outside their catwalk space was been designed to interact with two dancers who will be doing unusual art-performances between shows. They also collaborated with product designer Michael Warren to create a fitting tribute to Alexander McQueen via a huge wall of iPods individually displaying an interactive photo-reel of each of McQueen’s collections.

f_onoff1

It seems the fashion industry is really starting to fully open up its creative hands to the possibilities of interactive media. With people such as MovingBrands, Showstudio and of course the designers themselves already aiming to push the boundaries in the way we experience fashion, we’re really excited to see what technologies will be on-trend next season…

YOU ARE NOT A GADGET

Wednesday, February 3rd, 2010

lanier_cover_small_1_0

A couple of us went to the RSA on Monday to listen to Jaron Lanier talk about his new book You are not a Gadget.

This book is critical of web 2.0, crowd dynamics, creative commons and all that it has spawned. In essence, and the talk was far more complex and philosophical than this, Jaron was reacting to the pervasive mantra of Web 2.0’s most ardent supporters. This mantra is probably best typified by Chris Anderson’s new book Free, and the free-conomics it persuades us to believe in.  Jaron, and bear in mind he was until recently banging this drum the loudest, believes that Web 2.0 has had its chance to define the culture and economics of the future. But has failed.

He cites Journalism and the music industry as proof that the way we use this technology has devalued human enterprise, creativity, and intellect and cannot sustain itself. As he says, “the vast majority of journalists, musicians, artists and filmmakers” are “staring into career oblivion because of our failed digital idealism”. Yes, yes, he knows that there are lots of examples of bands giving their music away for free and making money on branded pencil cases and whatnot. But as a whole he believes the industry and the creative people who work within it cannot be sustained this way. This is an important point, for Jaron is not arguing against particular success stories – ‘more power to you’ he says, he is arguing against the system as a whole.

Perhaps Jaron will find it amusing that I also went to the launch of Chris Anderson’s book where one of the other speakers invited to add meat to the bones of Chris’ free-conomics argument was the editor of The London Paper. The London Paper went out of business shortly after he spoke.

Is Jaron right? Well, by the timethat there are enough people who believe he is, it will probably be too late.

Anyway, here is your free blog post. Would you now like a website?

Buy the book here
Some FAQ here
A good review in NYT that discusses the other implications of his point
And some good background on Janier at Times Online

INSPIRATION

Monday, January 18th, 2010

We at Digit are a motley bunch – a mishmash of specialities, nationalities and personalities. Each and every one of us gets out of bed in the morning motivated by something different. Sometimes those bits of inspiration are personal, sometimes they’re professional. But they’re always something special. At the close of last year, we pulled together the most inspiring things we’d seen in 2009. It’s quite a collection. The list is as varied as we are. We hope you find it inspiring.

View more presentations from Digit London.

___________ Hands

Friday, January 15th, 2010

Greg Hands MP caption competition image

OK, so there’s been a bit of a hoo-hah about some things Mr Greg Hands MP (he is a Tory, but don’t let that predispose you to dislike him) has said about a new brand commissioned by the COI to celebrate the 60th anniversary of the NHS.

Things like “Modern graphic design packages surely allow anyone with an average brain to design something as good as, or better than, what we see in front of us here.” – brilliant, obviously.

It all started with an article written in the Times about how the government has “sent taxpayers a bill” for lots of varied identity projects which the author (Emily Gosden) clearly has an issue with.

Anyway, this has led to lots of noise in the design community – which we at Digit kind of agree with btw – and lots of blog column inches and articles bemoaning the ‘disrespectful’ way the design industry is viewed by the press.

So personally I have mixed opinions on this stuff. I’m not saying whether I like the work they are arguing over or not – because that’s not really the point. What I actually think this is more about is that the design industry isn’t taken seriously, because people don’t understand it.

There’s more than two sides to why this is, but here’s a couple of reasons to get us started -

Firstly, some designers make it hard to define what they do on purpose. Sometimes for good reason, and sometimes not. We’re not all struggling, tortured genius artists. Most designers are problem solvers with logical ways of working to which they add a bit of creative spark to to come up with a great, innovative new solution.

Secondly, if you read the design industries’ own press it doesn’t really seem to take the industry seriously either. It’s often far too much about hot new shit, rather than really good design which affects people’s lives, makes things better in the built environment, saves the natural environment’s resources, makes products and services better and easier to use, or gives companies and organisations a face to show to the world that they can be proud of.

Thirdly – I know I said two but I’m on a roll now – there is also the very good point about designers being in a service industry. We answer briefs. Sometimes the briefs are good, and sometimes they are really, really bad. The constant is that the client will never take responsibility for something that goes bad, and will take much of the glory for something that goes spectacularly right. And you know what, that is alright with me.

So in conclusion, let’s stop moaning and fix it. Fix the briefs in the first place and delivering great work becomes much easier. Involve the client in the process and go on the amazing little journeys we take on every project together. If you do these two simple things people will soon come to realise that they can’t do what we do themselves, that’s why they come to us in the first place, and that’s why Mr Hands and his ilk will never make it as anything more than commentators in life.

Here’s some links to the article, the response on behalf of the design industry by Design Assembly, and an even more recent nugget of ‘opinion‘ from Design Week.

To mark the, um, occasion (I suppose) we thought Mr Hands would be a good subject for our caption competition. Have fun….

SHARLIN’S CHAT BACK – APPLE’S RUMOURED TABLET

Thursday, January 14th, 2010

Sharlin's Chat Back

Sharlin So what’s the Apple tablet then?

Creative Director It’s probably some sort of touch screen tablet computer

S I don’t get it

CD Well, you know a PDA…

S The boxy thing with a pen at the top?

CD It’s more like a small computer you can press with your finger

S You’re going to need good nails!

CD Think of it like a big iphone

S I’m not keen on that

CD What!? So there’s no need for a tablet?

S No, they don’t need to invent it, it’s just a waste of money. They just need to scrap it. They haven’t invented it have they? I won’t be buying one.

CD Ok, well, urm ,think about an Ereader

S Oooh, I want an Ereader

CD Ok, but now imagine if that Ereader could also browse the internet, play films, have all your photos and music, a load of different apps, as well as an interactive keyboard. So what do you reckon, do you want one now?

S Yeah, I do.

CD But I thought you said it was a waste of money?

S Yeah, but now I know it can do all those things, I want one. I’m going to go out and buy one.

So there you have it folks. No one really knows what the Apple tablet is going to look like or how it will operate, but one thing’s for sure…our receptionist is sure as hell going to go out and get one.

Pint + Hitler Meme + 2 hours = Popular

Monday, January 11th, 2010

steiner

Twas the night before Christmas… well the 18 December 2009 to be honest. A few of us were drowning our sorrows in the Duke of Wellington after realising we’d been excluded from Michelle’s leaving lunch. What we needed was a way of showing Michelle just how creative, funny and technically amazing our small band of outcasts were.

In an attempt to cheer ourselves up, we began to chat…

“Aren’t those Hitler parodies funny” – said someone.
“Yea. Great.” – said another.
“Shame we didn’t have time to create one for Michelle” – said us all.

At that moment we all looked at each other smiled, downed the rest of our pints and made a dash back to the office.

Two hours later we embed the following video and shared it with the rest of digit:

http://www.digitlondon.com/bye-michelle

How did we do it?

1) Download the Original bunker scence without subtitles
2) Create the subtitles using the Youtube subtitler
3) Create a You Tube account, upload the video and add the captions
4) Embed the video on the digit site http://www.digitlondon.com/bye-michelle (It’s the only way to force the captions to play by default)

FRESH MEAT

Tuesday, January 5th, 2010

The place where we look new starters straight in the eye before giving them a firm handshake.

orlaith_freshmeat

Name
Orlaith Grainne Feardar Finucane (No I’m not from Lord of the Rings, just Irish)

What’s your Twitter ID?
Don’t have one! Whoops.

What’s your online guilty pleasure?
Stumble upon

Which website do you spend most time on?
Timeout.com

Where were you before Digit?
Up at Edinburgh University finishing my degree in History of Art.

What’s the worst job you’ve ever done?
Definitely when I worked in a café at Wimbledon Tennis. I had to wear a purple bowl-like cap making hot dogs and pizza near court 16; I couldn’t have been further away from the action if I’d tried!

What’s your favourite book?
From recent reads – The Time Traveller’s Wife by Audrey Niffenegger.

Which celebrity would you never tire of hitting?
Louis Walsh

Who would play you in the film of your life?
Rachel McAdams – happy, wholesome and sexy (I wish…!)

If brands were people who would you shag, marry or kill?
Shag: Christian Louboutin
Marry: Mr and Mrs Smith  
Kill: Von Dutch

North or South?
I’m a southern girl, born and bred.

What’s your favourite biscuit?
Oooo, that’s tough… A tie between Ben’s Cookies and Duchy stem ginger biscuits covered in dark chocolate. Or homemade peanut butter and chocolate biscuits. Do Ladurée macaroons count?

So long, farewell!

Friday, December 18th, 2009

farewell_2
According to the Kübler-Ross model, there are five stages of grief, which may sound melodramatic, but Digit is a pretty special place. A place I’ll be sad to leave. It will always hold a special place in my heart because (shhh!) it was my first job, but to be honest it’s been my first three jobs, since my roles, the place, the people -myself included- have changed so much over the years. But change is good.

Firstly I entered quite a lengthy denial process. Unable to face the facts, that it may be quite a while until I’m back in the ‘external social network’ aka The Golden Heart or able to nip out for lunch at Leon, you know when you’ve got a craving for leaves ‘n’ twigs with brown rice and ’slaw. But none of this dawned on me until, well, just now.

But soon enough the vultures started circling around my desk, and just like that I entered the anger phase. Knowing who is picking off your wares while you’re still in the building is not the nicest experience: scanner, 2 HP monitors, chair and my very desk. All of them with dibs on them. Anger is very unattractive, sorry about that.

Moving swiftly on to bargaining I realise I’m offering up advent calendar chocolates to curry favour and not be forgotten too quickly, I know that very soon, I will move into the hallowed territory of ‘ex-Digit’ in people’s messenger contacts. Although to be part of the Digit alumni is actually a very good thing, and the Digit family is extended, talented and welcoming. It also helps that I’ve been attending the ‘Ex-Digit’ socials for the past two years, so I’m prepared for the transition.

That’s when the depression set in. My colleagues, past and present at some invisible juncture became friends, great friends, gig buddies, drinking buddies, gym buddies, New Year’s eve party goers, cohorts and superb flatmates. Friends who make coming in to work a pleasure, a genuine pleasure. No more crazy pitch fever, no more Tashi dashing around the office growling at the coffee grinder, no more temperamental lift, no more beautiful London skylines, impossibly cold winters wrapped in all the clothes you can find and any novelty hats lying nearby, no more debauched nights out, office weekends away (we don’t talk about that, right?), no more shared hangovers, no more Sharlin calling me ‘Meesh, no not you Meesh, the other Meesh’, no more trekking in like a trooper on ‘snow day‘ with the dedicated few, no more Friday night drinks or Monday morning gossips, no more.

So here we are at acceptance, I feel genuinely privileged to have worked at Digit for three and a half years. I’m grateful to Henry for having a banterful conversation with me when we first met and ultimately offering me an internship and opening up the charming and beautifully eccentric world of Digit to me. Thank you to everyone I’ve worked with and learned from, in a workplace where a green illustration graduate can start as a design intern and leave as a copywriter, with great experience and passion to go on to achieve, well, we’ll leave this part open…

It’s not goodbye Digit, it’s see you around.